散文佳作108篇 第63期:A Tale of Two Smut Merchants 兩個(gè)淫穢照片商的故事

A Tale of Two Smut Merchants

兩個(gè)淫穢照片商的故事

Mike Royko

邁克·羅伊科

In simpler times, there lived a self-employed photographer in Chicago who worked weddings,anniversaries, graduations and other family events. He also padded his income with goods hedidn’t advertise in the neighborhood paper. He sold nude photos—the kind we used to calldirty pictures.

那年頭比較純樸，芝加哥有一名個(gè)體照相師，專(zhuān)營(yíng)結(jié)婚照、周年紀(jì)念照、畢業(yè)照和其他家庭大事照。有的貨色他并沒(méi)在當(dāng)?shù)貓?bào)紙上做廣告，他也拿來(lái)湊數(shù)，添點(diǎn)收入。他出售裸體照——就是我們過(guò)去常說(shuō)的下流照片。

His model was usually his wife, an empty-faced woman who tended their second-floor flat andtwo small kids and did what her husband told her to do. Other than having a big chest, therewasn’t much to recommend her as a model, except that she was willing to pose inembarrassingly revealing positions.

他的模特兒通常是他的妻子——一個(gè)面孔毫無(wú)表情的婦女。她照管著他們?cè)诙堑哪翘追块g和兩個(gè)小孩，凡事都聽(tīng)她丈夫的。她當(dāng)模特兒，無(wú)非是有一個(gè)高高挺起的胸脯，旁的沒(méi)什么好說(shuō)的，不過(guò)她很樂(lè)意擺出各種露得叫人看不下去的姿勢(shì)就是了。

The photographer would sell stacks of the wallet-size photos to guys he knew in factoriesand taverns, and they would sell them to guys they knew. That’s the way such things circulatedin the days before porn stores and national smut magazines.

照相師把皮夾子大小的照片成批賣(mài)給他在工廠和酒館里的熟人，這些人再賣(mài)給他們的熟人。那年頭還沒(méi)有賣(mài)淫穢東西的商店和全國(guó)性的黃色雜志，這類(lèi)東西就是這么流傳的。

The photographer’s neighbors didn’t know about his dirty-picture business because he soldthem outside the neighborhood. But then he made the mistake of asking a teenage girl fromthe next block if she would be interested in making some money as a model.

照相師的街坊們對(duì)他賣(mài)下流畫(huà)的勾當(dāng)一無(wú)所知，因?yàn)樗窃趧e的街區(qū)干的。但是后來(lái)出了紕漏：他竟問(wèn)隔壁街區(qū)的一個(gè)十幾歲的小女孩想不想當(dāng)模特兒掙錢(qián)。

When he told her exactly what he had in mind, she told her mother. The mother told the father,who owned a corner tavern. And the father and his large son, carrying baseball bats, went tothe photog’s home and banged on the door. Not being a dummy, he wouldn’t open the door.So the father yelled that if he ever came near the girl again, they’d kill him.

他把想法向小女孩原原本本說(shuō)了，上女孩告訴了她的母親。她母親又告訴了她父親，他在街角上開(kāi)有一小酒館。于是他父親帶上大個(gè)頭兒子，提著棒球棍，跑到照相師家，把房門(mén)敲得砰砰響。照相師又不傻，哪能開(kāi)門(mén)。做父親的于是大喊大叫，說(shuō)他要是再接近他的女兒，他們就宰了他。

A few weeks later the tavern keeper was at the local grammar school, attending the graduationof one of his other children. During the ceremony, he glanced around and saw thephotographer with a camera in his hand. “What’s that creep doing here?” he shouted.

幾個(gè)星期過(guò)后，酒館老板到當(dāng)?shù)氐某跫?jí)中學(xué)，參加他另外一個(gè)孩子的畢業(yè)典禮。典禮正在進(jìn)行，他四下瞅瞅，一眼看到那個(gè)照相師，手拿一架照相機(jī)。他喊到：“那混蛋來(lái)這兒干嗎?”

It turned out that the creep was the official photographer of the graduation. “He ain’t takingmy kid’s picture,” said the tavern keeper. He got up and bashed the creep in the jaw, and thephotographer fled.

那混蛋原來(lái)是來(lái)拍畢業(yè)典禮的正式攝影師。“不許他給我的孩子照相。”酒館老板說(shuō)。他站起身來(lái)，朝那混蛋下巴上猛揍一拳，照相師一溜了事。

The tavern keeper then explained to parents and teachers that he had driven a degeneratefrom their midst, so someone else was called to take the class picture. Within two days, thephotog had moved from the neighborhood and was never again seen.

接著，酒館老板向家長(zhǎng)和老師們說(shuō)明，他是替大伙趕走了一個(gè)壞分子，于是另請(qǐng)了一個(gè)人給全班照相留念。不到兩天，那個(gè)照相師就從這條街搬走了，再也沒(méi)露面。

I thought of that incident while watching Bob Guccione, owner of Penthouse magazine, beinginterviewed some time ago on a network news show, and it occurred to me what remarkablechanges have occurred in only a few decades.

不久前一家新聞電視網(wǎng)播放了采訪(fǎng)《藏春閣》雜志的老板鮑勃·古西翁的實(shí)況，我看后不禁想起這件往事。我在想，時(shí)隔不過(guò)幾十年，竟是世事滄桑啊。

The neighborhood pornographer was punched around and had to move away in disgrace.Guccione, a multimillionaire, wears gold chains, travels the world in jets and is invited to thebest parties in New York City.

那個(gè)街道上的黃色販子挨了揍，不得不夾起尾巴走人。古西翁卻是腰纏萬(wàn)貫，穿金戴銀，坐著噴氣式飛機(jī)周游世界，應(yīng)邀蒞臨紐約市首屈一指的集會(huì)。

If the photog tried to explain why he did what he did, nobody would have cared. They wouldhave just punched him some more. But Guccione speaks with great seriousness about thejournalistic necessity of publishing nude photos of a well-known woman. And there are peoplewho take him seriously.

那個(gè)照相師要是想解釋一下他的所作所為，沒(méi)人會(huì)聽(tīng)他的。人們只會(huì)對(duì)他揍得更狠。古西翁卻是在一本正經(jīng)地談?wù)搱?bào)章雜志有必要刊登什么名媛的裸照。而且還有一個(gè)一本正經(jīng)地聽(tīng)信他。

Actually, there’s little difference between that neighborhood pornographer and Guccione, themagazine publisher, other than financial success. The only significant one is that the photogwas born before his time.

其實(shí)，那位街道上的黃色販子與雜志出版商古西翁之間并沒(méi)有什么兩樣，他倆無(wú)非財(cái)運(yùn)不同罷了。唯一值得注意的不同倒是那位照相師生不逢辰。

Maybe, I prefer to think that it was the tavern keeper, unfortunately, who was born before histime.

也許是吧?？晌业挂詾檎悄俏痪起^老板——說(shuō)來(lái)可嘆——他才生不逢辰呢。