每天讀一點(diǎn)英文 那些激勵(lì)我前行的身影 35 接受諾貝爾獎(jiǎng)時(shí)的演說(shuō)-威廉.?？思{

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威廉·?？思{：接受諾貝爾獎(jiǎng)時(shí)的演說(shuō)

I feel that this award was not made to me as a man，but to my work—a life’s work in the agony and sweat of the human spirit，not for glory and least of all for profit，but to create out of the materials of the human spirit something which did not exist before.

我感到這個(gè)獎(jiǎng)項(xiàng)不是授予我個(gè)人而是授予我的工作的——它是對(duì)我嘔心瀝血、畢生從事的人類精神探索的工作的肯定。我從事這項(xiàng)工作，既非為虛名，更非為浮利，而是為了從人的精神素材中創(chuàng)造出一些前所未有的東西。

So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin.

因此，我只是這份獎(jiǎng)金的保管者而已。要做出與這份獎(jiǎng)賞最初的目的和意義相符，又與其獎(jiǎng)金等價(jià)的貢獻(xiàn)并非難事

But I would like to do the same with the acclaim too，by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail，among whom is already that one who will some day stand here where I am standing.

但我還愿意利用這個(gè)難得的機(jī)會(huì)，向那些可能聽(tīng)到我的講話并已獻(xiàn)身于同一艱苦事業(yè)的男女青年講幾句。他們中一定有人有一天也會(huì)站到我現(xiàn)在站著的地方。

Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit.

人類今天的悲劇是人們普遍存在一種生理上的恐懼，這種恐懼存在已久，以至于我們已經(jīng)習(xí)慣了背負(fù)這種恐懼。

There is only the question：“When will I be blown up?”Because of this，the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing.

現(xiàn)在不存在精神上的問(wèn)題，唯一的問(wèn)題是：“我什么時(shí)候會(huì)被炸得粉身碎骨?”正因如此，今天從事寫(xiě)作的男女青年已經(jīng)遺忘了人類內(nèi)心深處的沖突，而這本身就能成為好的作品。

Because only that is worth writing about，worth the agony and the sweat.

因?yàn)檫@是唯一值得去寫(xiě)、值得為之嘔心瀝血的題材。

He must learn them again. He must teach himself that the basest of all things is to be afraid;and teach himself that forget it forever，leaving no room in his workshop for anything but the old verities and truths of the heart，the old universal truths lacking which any story is ephemeral and doomed—love and honor and pity and pride and compassion and sacrifice.

他一定要重新思考這些問(wèn)題。他必須使自己明白世間最可鄙的事情莫過(guò)于恐懼;他必須要使自己永遠(yuǎn)忘卻恐懼，在他的工作室里除了心底深處永恒的真理之外，任何別的東西都沒(méi)有容身之地。

Until he does so，he labors under a curse. He writes not of love but of lust，of defeats in which nobody loses anything of value，of victories without hope and，worst of all，without pity or compassion.

缺少這些永恒的普遍真理，任何小說(shuō)都只能是曇花一現(xiàn)，注定要失敗。這些真理就是：愛(ài)、榮譽(yù)、憐憫、尊嚴(yán)、同情與犧牲。

His griefs grieve on no universal bones，leaving no scars.

若是他做不到這一點(diǎn)，他的工作就是白費(fèi)功夫。

He writes not of the heart but of the glands. Until he relearns these things，he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure：that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening，that even then there will still be one more sound：that of his puny inexhaustible voice，still talking.

他寫(xiě)的不是愛(ài)情而是情欲;他寫(xiě)的失敗是不值得一提的失敗;他寫(xiě)的勝利沒(méi)有希望，更可悲的是沒(méi)有憐憫或同情的勝利;他寫(xiě)的悲傷不是為普遍的逝者而悲傷，所以留不下深刻的心靈烙印;他寫(xiě)的不是靈魂而是器官。在他重新認(rèn)識(shí)到這一點(diǎn)之前，他的寫(xiě)作就猶如他眼睜睜地看著世界末日的來(lái)臨而束手無(wú)策一般。我不同意人類末日的說(shuō)法。說(shuō)人是不朽的，因?yàn)樗苋淌芫薮蟮目嗤?，說(shuō)當(dāng)厄運(yùn)的最后一次鐘聲在沒(méi)有潮水沖刷的，映在末日最后一抹余暉里的，最后一塊無(wú)用礁石旁漸漸消失時(shí)，還會(huì)有一個(gè)聲音，那就是人類微弱但不倦的聲音。

I refuse to accept this. I believe that man will not merely endure，he will prevail.

說(shuō)這些都很容易，但是我不能接受這種說(shuō)法。我相信人類不僅能忍受，更擁有戰(zhàn)勝一切的力量。

He is immortal，not because he alone among creatures has an inexhaustible voice，but because he has a soul，a spirit capable of compassion，and sacrifice，and endurance.

人類之所以不朽，不是因?yàn)槿f(wàn)物中唯有他有著不知疲倦的聲音，而是因?yàn)樗徐`魂，有充滿同情、勇于犧牲和善于忍耐的精神。

The poet’s，the writer’s duty is to write about these things. It is his privilege to help man endure by lifting his heart，by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past.

而把這些寫(xiě)出來(lái)就是詩(shī)人和作家的責(zé)任。詩(shī)人和作家有一種特權(quán)，那就是去鼓舞人的斗志、使人們記住曾經(jīng)有過(guò)的光榮——人類曾有過(guò)的勇氣、榮譽(yù)、希望、尊嚴(yán)、同情、憐憫與犧牲的精神——去升華人們的心靈，達(dá)到最終的永恒。

The poet’s voice need not merely be the record of man，it can be one of the props，the pillars to help him endure and prevail.

詩(shī)人的聲音不應(yīng)僅僅是人類的記錄，而應(yīng)成為人類得以永存和勝利的力量。

【人物簡(jiǎn)介】

福克納于1949年獲諾貝爾文學(xué)獎(jiǎng)。這是福克納在1949年諾貝爾文學(xué)獎(jiǎng)獲獎(jiǎng)時(shí)所作的演說(shuō)。瑞典著名的發(fā)明家和化學(xué)家諾貝爾在1895年11月27日寫(xiě)下遺囑，捐獻(xiàn)全部財(cái)產(chǎn)設(shè)立基金，每年把利息作為獎(jiǎng)金，授予“一年來(lái)對(duì)人類做出最大貢獻(xiàn)的人”。這便是諾貝爾獎(jiǎng)的由來(lái)。根據(jù)他的遺囑，瑞典政府于同年建立“諾貝爾基金會(huì)”，負(fù)責(zé)把基金的年利息按五等分，其中一份授予“在文學(xué)方面創(chuàng)作出具有理想傾向的最佳作品的人”。這就是諾貝爾文學(xué)獎(jiǎng)，由瑞典文學(xué)院頒發(fā)。另外四個(gè)獎(jiǎng)項(xiàng)為物理、化學(xué)、生理或醫(yī)學(xué)及和平獎(jiǎng)。