2020年也有好消息，我列舉了一些最好的

2020年也有好消息，我列舉了一些最好的

In 2019, I started a personal project in the form of an Instagram page. I called it Weekly Graphic News. A mix of passion for editorial art and interest in journalism led me to this idea, upon finding that some very interesting stories get lost in our feed because they have an ordinary cover picture, like a stock image that doesn’t say much. That’s because some subjects are too abstract to be photographed, so editors pair them with something neutral and insipid.

2019年，我以Instagram頁面的形式開始了一個個人項目。我稱它為每周圖形新聞。對編輯藝術(shù)的熱情和對新聞的興趣使我產(chǎn)生了這個想法，當(dāng)我發(fā)現(xiàn)一些非常有趣的故事在我們的feed中丟失了，因為它們有一個普通的封面圖片，就像一個沒有說明很多的庫存圖片。這是因為有些主題太抽象而無法拍攝，所以編輯就把它們和一些中性、平淡的東西搭配在一起。

At the same time, magazines are going great lengths to craft custom illustrations for their editorial pieces. They sense the creative freedom an abstract subject embodies, so they come up with complex artworks that fit the story like a glove.

與此同時，雜志也在不遺余力地為他們的編輯作品制作定制插圖。他們感受到抽象主題所體現(xiàn)的創(chuàng)作自由，所以他們創(chuàng)作出了復(fù)雜的藝術(shù)品，就像一只手套一樣符合故事情節(jié)。

And given that most of us are consuming news mainly on social media nowadays, I believed I could fill that gap between news reporting and a visual editorial approach.

考慮到我們大多數(shù)人現(xiàn)在主要在社交媒體上閱讀新聞，我相信我可以填補新聞報道和視覺編輯方法之間的空白。

So I started searching for interesting stories that either lacked compelling pictures or were just worthy of an artwork. I soon found out that the best thing about this challenge was the diversity of subjects, and therefore the wide range of illustration styles I could use.

于是我開始尋找一些有趣的故事，這些故事要么缺乏引人注目的圖片，要么僅僅是一個藝術(shù)作品。我很快發(fā)現(xiàn)這個挑戰(zhàn)最好的地方是主題的多樣性，因此我可以使用廣泛的插畫風(fēng)格。

And when the pandemic hit all the front pages, I focused on positive, uplifting, and empowering stories. Scroll down below for some of the best news of 2020 and follow the whole gallery on Instagram.

當(dāng)大流行登上所有的頭版時，我關(guān)注的是積極、振奮人心和賦予力量的故事。往下翻，看看2020年的最佳新聞，在Instagram上關(guān)注整個圖片集。

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圖片來源：weeklygraphicnews

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