the Story of the Wind 風(fēng)所講的關(guān)於瓦爾德瑪·多伊和他的女兒們的事

　　“Late in the autumn， when the days were short， and the mist sprinkled cold drops on the berries and the leafless branches， I came back in fresh spirits， rushed through the air， swept the sky clear， and snapped off the dry twigs， which is certainly no GREat labor to do， yet it must be done. There was another kind of sweeping taking place at Waldemar Daa's， in the castle of Borreby. His enemy， Owe Ramel， of Basnas， was there， with the mortgage of the house and everything it contained， in his pocket. I rattled the broken windows， beat against the old rotten doors， and whistled through cracks and crevices， so that Mr. Owe Ramel did not much like to remain there. Ida and Anna Dorothea wept bitterly， Joanna stood， pale and proud， biting her lips till the blood came； but what could that avail？ Owe Ramel offered Waldemar Daa permission to remain in the house till the end of his life. No one thanked him for the offer， and I saw the ruined old gentleman lift his head， and throw it back more proudly than ever. Then I rushed against the house and the old lime-trees with such force， that one of the thickest branches， a decayed one， was broken off， and the branch fell at the entrance， and remained there. It might have been used as a broom， if any one had wanted to sweep the place out， and a grand sweeping-out there really was； I thought it would be so. It was hard for any one to preserve composure on such a day； but these people had strong wills， as unbending as their hard fortune. There was nothing they could call their own， excepting the clothes they wore. Yes， there was one thing more， an alchymist's glass， a new one， which had been lately bought， and filled with what could be gathered from the ground of the treasure which had promised so much but failed in keeping its promise. Waldemar Daa hid the glass in his bosom， and， taking his stick in his hand， the once rich gentleman passed with his daughters out of the house of Borreby. I blew coldly upon his flustered cheeks， I stroked his gray beard and his long white hair， and I sang as well as I was able， 'Whir-r-r， whir-r-r. Gone away！ Gone away！' Ida walked on one side of the old man， and Anna Dorothea on the other； Joanna turned round， as they left the entrance. Why？ Fortune would not turn because she turned. She looked at the stone in the walls which had once formed part of the castle of Marck Stig， and perhaps she thought of his daughters and of the old song，—

　　'the eldest and youngest， hand-in-hand，Went forth alone to a distant land'.

　　these were only two； here there were three， and their father with them also. They walked along the high-road， where once they had driven in their splendid carriage； they went forth with their father as beggars. They wandered across an open field to a mud hut， which they rented for a dollar and a half a year， a new home， with bare walls and empty cupboards. Crows and magpies fluttered about them， and cried， as if in contempt， 'Caw， caw， turned out of our nest—caw， caw，' as they had done in the wood at Borreby， when the trees were felled. Daa and his daughters could not help hearing it， so I blew about their ears to drown the noise； what use was it that they should listen？ So they went to live in the mud hut in the open field， and I wandered away， over moor and meadow， through bare bushes and leafless forests， to the open sea， to the broad shores in other lands， 'Whir-r-r， whir-r-r！ Away， away！' year after year.“

　　And what became of Waldemar Daa and his daughters？ Listen； the Wind will tell us：

　　“the last I saw of them was the pale hyacinth， Anna Dorothea. She was old and bent then； for fifty years had passed and she had outlived them all. She could relate the history. Yonder， on the heath， near the town of Wiborg， in Jutland， stood the fine new house of the canon. It was built of red brick， with projecting gables. It was inhabited， for the smoke curled up thickly from the chimneys. The canon's gentle lady and her beautiful daughters sat in the bay-window， and looked over the hawthorn hedge of the garden towards the brown heath. What were they looking at？ Their glances fell upon a stork's nest， which was built upon an old tumbledown hut. The roof， as far as one existed at all， was covered with moss and lichen. The stork's nest covered the GREater part of it， and that alone was in a good condition； for it was kept in order by the stork himself. That is a house to be looked at， and not to be touched，” said the Wind. “For the sake of the stork's nest it had been allowed to remain， although it is a blot on the landscape. They did not like to drive the stork away； therefore the old shed was left standing， and the poor woman who dwelt in it allowed to stay. She had the Egyptian bird to thank for that； or was it perchance her reward for having once interceded for the preservation of the nest of its black brother in the forest of Borreby？ At that time she， the poor woman， was a young child， a white hyacinth in a rich garden. She remembered that time well； for it was Anna Dorothea.

　　“'O-h， o-h，' she sighed； for people can sigh like the moaning of the wind among the reeds and rushes. 'O-h， o-h，' she would say， 'no bell sounded at thy burial， Waldemar Daa. The poor school-boys did not even sing a psalm when the former lord of Borreby was laid in the earth to rest. O-h， everything has an end， even misery. Sister Ida became the wife of a peasant； that was the hardest trial which befell our father， that the husband of his own daughter should be a miserable serf， whom his owner could place for punishment on the wooden horse. I suppose he is under the ground now； and Ida—alas！ alas！ it is not ended yet； miserable that I am！ Kind Heaven， grant me that I may die.'

　　“That was Anna Dorothea's prayer in the wretched hut that was left standing for the sake of the stork. I took pity on the proudest of the sisters，” said the Wind. “Her courage was like that of a man； and in man's clothes she served as a sailor on board ship. She was of few words， and of a dark countenance； but she did not know how to climb， so I blew her overboard before any one found out that she was a woman； and， in my opinion， that was well done，” said the Wind.

　　On such another Easter morning as that on which Waldemar Daa imagined he had discovered the art of making gold， I heard the tones of a psalm under the stork's nest， and within the crumbling walls. It was Anna Dorothea's last song. There was no window in the hut， only a hole in the wall； and the sun rose like a globe of burnished gold， and looked through. With what splendor he filled that dismal dwelling！ Her eyes were glazing， and her heart breaking； but so it would have been， even had the sun not shone that morning on Anna Dorothea. The stork's nest had secured her a home till her death. I sung over her grave； I sung at her father's grave. I know where it lies， and where her grave is too， but nobody else knows it.

　　“New times now； all is changed. the old high-road is lost amid cultivated fields； the new one now winds along over covered graves； and soon the railway will come， with its train of carriages， and rush over graves where lie those whose very names are forgoten. All passed away， passed away！

　　“This is the story of Waldemar Daa and his daughters. Tell it better， any of you， if you know how，” said the Wind； and he rushed away， and was gone.