導(dǎo)演:埃里克·布雷斯
麥基·格魯伯
編?。蝴溁?middot;格魯伯
埃里克·布雷斯
主演:阿什頓·庫(kù)徹/艾米·斯馬特
首映日期:2004-01-23
One of the most thoughtful films of 2004.
2004年最引人深思的電影之一。
——Forrest Hartman, Reno Gazette—Journal
The first great motion picture of 2004, and certain to be one of the best of the whole year.
2004年第一部很棒的電影,一定是一整年中最好的作品之一。
——Dustin Putman, DustinPutman.com
I absolutely loved this film. It had the right amount of everything and I really felt for the characters. It was very sad at the end with the montage of how everyone's life was much better without him. Brilliant film with brilliant performances.
我絕對(duì)喜歡這部電影。它的一切都恰到好處,我真的對(duì)角色很有感覺。結(jié)尾非常悲傷,用蒙太奇的手法講述了沒有他,每個(gè)人的生活有多好。出色的電影,出色的表演。
——Sophie B
In the year 2002, Evan Treborn(Ashton Kutcher)frequently suffers from blackouts, often at moments of high stress. As a young child(played by Logan Lerman)and adolescent(played by John Patrick Amedori), Evan suffered many severe sexual abuse and psychological traumas. These traumas include being forced to take part in child pornography, being strangled by his mentally-ill father, causing an accident with dynamite with his friends, and seeing his dog being burned by his friend. Seven years later, while “entertaining” a girl in his dorm room, he realizes that when he reads from his adolescent journals, he can travel back in time, and is able to “redo” parts of his past. His time traveling episodes account for the frequent blackouts he experienced as a child However; there are consequences to his choices that propagate back to his present life, his alternate personal futures progress from college student, to prisoner, to amputee. His efforts are driven by the desire to undo the most unpleasant events of his childhood which coincide with his mysterious blackouts, including saving his childhood sweetheart Kayleigh(Amy Smart)from being molested by her father(Eric Stoltz)and tormented by her sadistic brother(William Lee Scott).
The actions he takes, and enables others to take during his blackouts, change the timeline in the new future where he awakes. As he continues to do this he realizes that even though his intentions are good, his actions have unforeseen consequences. Moreover, the assimilation of dozens of years' worth of new memories from the alternate timelines causes him brain damage and severe nosebleeds. Ultimately, he decides that his attempts to alter the past end up only harming those he cares about, and realizes that the main cause of everyone's suffering in all the different timelines is himself.
At the conclusion of the film, Evan purposely travels back in time one final time to the first day he met Kayleigh. Before this, Evan learns that Kayleigh had a choice to either stay with her mom or her dad. Because she wanted to stay with Evan, she decided to stay with her dad, which caused all the problems in the first place. By scaring her away, Evan makes sure that she goes with her mom, thus allowing her to never be a part of his life. Through this, Evan finally succeeds in saving her life. He then destroys all of his journals and memories so that he is not ever tempted again to make any more changes.
The film ends eight years in the future with Evan leaving an office building in Manhattan and passing Kayleigh on a crowded sidewalk, They alternately pause and turn after spotting and passing each other. After a moment of hesitation, Evan lets her walk away without speaking to her.
公元2002年,埃文·特里伯恩(阿什頓·庫(kù)徹飾)在承受巨大壓力時(shí),經(jīng)常會(huì)發(fā)生暫時(shí)性失憶。當(dāng)他是個(gè)孩子(羅根·勒曼飾)和青少年(約翰·帕特里克·阿梅多利飾)時(shí),埃文遭受了許多嚴(yán)重的性侵犯和心理創(chuàng)傷。這些災(zāi)難包括被迫參與兒童色情、差點(diǎn)被他患有精神病的父親掐死、與他的朋友制造了爆炸事件、看見他的狗被他的朋友燒死。七年后,他與一個(gè)女孩在他的宿舍中玩時(shí),他發(fā)現(xiàn)當(dāng)他閱讀年少時(shí)的日記時(shí),他可以回到過去,并能改變過去。他的時(shí)間旅行的片段填補(bǔ)了他還是一個(gè)孩子時(shí)的那些暫時(shí)性失憶的片段。然而,他的選擇會(huì)被傳導(dǎo)到自己現(xiàn)在的生活中,產(chǎn)生了成為大學(xué)生、囚犯、截肢者等幾種不同的未來(lái)。他這樣做是為了能夠消除他童年時(shí)伴隨著他的暫時(shí)性失憶一起發(fā)生的那些最不愉快的事件,包括避免他童年時(shí)的心上人凱蕾(艾米·斯馬特飾)被其父親(埃里克·斯托爾茲飾)騷擾,以及避免被她的虐待狂哥哥(威廉姆·李·斯科特飾)折磨。
在他失去意識(shí)期間,他的行為與其他人的反應(yīng),會(huì)在他醒來(lái)后生成新的未來(lái)。當(dāng)他不斷這樣做了幾次后,他意識(shí)到即使他的意圖是好的,行為也會(huì)造成不可預(yù)料的后果。而且,由于歷史的改變而產(chǎn)生的十幾年新記憶的同步,會(huì)造成他腦子的損傷,并引起嚴(yán)重的流鼻血。最終,他發(fā)現(xiàn),他每次試圖改變歷史,都只會(huì)傷害他關(guān)心的人,并意識(shí)到,讓每個(gè)人在不同歷史中都痛苦的原因正是他自己。
在電影的結(jié)尾,他有意回到了第一次遇到凱蕾那天。在此之前,他得知?jiǎng)P蕾可以選擇是與她媽媽還是與她爸爸住一起。因?yàn)樗肱c埃文在一起,所以決定留在她爸爸身邊,而這正是一切問題的源頭。埃文通過嚇唬她,讓她去與她的媽媽一起生活,并因此使得她從此不再是他生活的一部分。通過這種方法,埃文終于成功地挽救了她的生命。然后他摧毀了他所有的日記與能引起回憶的物品,以確保他無(wú)法再試著做任何改變。
電影的結(jié)尾發(fā)生在八年后,埃文離開曼哈頓的一間辦公室并與凱蕾在擁擠的便道上擦肩而過。在彼此擦肩而過之后,他們交替停下來(lái)回頭看對(duì)方。經(jīng)過片刻的猶豫,埃文什么都沒有說(shuō),就這樣讓她走了。
dynamite['dain?mait]n. 炸藥;具有潛在危險(xiǎn)的人(或物)
adolescent[?æd?u'lesnt]adj. 青春期的;未成熟的
blackout['blækaut]n. 燈火管制;燈火熄滅;暫時(shí)的意識(shí)喪失
amputee[æmpj?'ti:]n. 被截肢者
timeline['taimlain]n. 時(shí)間軸;時(shí)間線;大事年表
consequence['k?nsi?kw?ns]n. 結(jié)果;重要性;推論
tempt[tempt]vt. 誘惑;引起;冒……的風(fēng)險(xiǎn);使感興趣
hesitation[?hezi'tei∫?n]n. 猶豫
重點(diǎn)掌握
■ … he can travel back in time,...
in time是英語(yǔ)中一個(gè)固定短語(yǔ),常見的意思是“及時(shí),按時(shí)”,比如:If taken in time , the medicine will be effective. 如果及時(shí)服用,這藥是很有效的。在這里是指“在時(shí)間中(旅行)”。此外,in time還有“遲早;終于;后來(lái);最后”、“合拍子,有節(jié)奏地”、“到底,究竟”的意思,比如:The murderer will in time be brought to justice. 殺人兇手遲早會(huì)受到法律的制裁。
Ashton Kutcher and Amy Smart Interviewed by Rebecca Murray
What attracted you to The Butterfly Effect?
Amy Smart: I know what attracted me was, first of all, the script was an original story [and]well written. It was so fascinating. It definitely affected me when I read it. And it was the greatest challenge I'd seen yet, as an actor, to do. That is what initially drew me to it. Ashton Kutcher: This script, when I got it, it was in the form that we shot it for the most part. We changed the ending a little bit, but it was pretty much there. I thought that it was kind of a fantastic metaphor for life, and pretty enlightening. I also spoke with the directors before I decided to sign on. They had a really clear, concise vision of what they wanted to do stylistically, and what they wanted from the story. The opportunity to play a character that's blind to the trauma that takes place in his life, and then the violence that is in the movie I thought was a fantastic metaphor for how blind we are as a society, and as a people, to the things that actually do happen on a day-to-day basis, and how we kind of just block them out And whether it be through our media or whatever, we go, “Oh, it's not happening in my world, so it's not happening.” In the movie there's a great representation of the violence with the kids, and the pedophilia, and these kinds of things. The guys could have taken the easy road, and you know, kind of squeamishly cut around, but they weren't afraid of it.
是什么吸引你們加入《蝴蝶效應(yīng)》?
Amy Smart(艾米·斯馬特):我知道吸引我的,首先是,劇本是一個(gè)原創(chuàng)的故事,寫得不錯(cuò)。它是如此迷人。當(dāng)我讀到它時(shí),它的確影響了我。而且它是我見過的最大的挑戰(zhàn),作為演員,去表演。這就是最初它吸引我的地方。
阿什頓·庫(kù)徹:這個(gè)劇本,我拿到手的時(shí)候,大部分是以我們拍攝的形式出現(xiàn)的。我們改動(dòng)了一些結(jié)局,但大部分還是很好地保留著。我認(rèn)為這是一種奇異生命的比喻,很有啟發(fā)性。在我決定簽合同之前,我還跟導(dǎo)演談過。他們有著很清楚、很簡(jiǎn)潔的圖景,在風(fēng)格上他們想怎樣處理,從故事中他們想要什么。有機(jī)會(huì)扮演一個(gè)看不到他生活的創(chuàng)傷的角色。電影里的暴力,我以為是種了不起的比喻,作為一個(gè)社會(huì),作為一個(gè)人,我們是多么的盲目。其實(shí)這些事情都確實(shí)發(fā)生在日常生活的基礎(chǔ)上,我們只是屏蔽了它。無(wú)論是通過我們的媒體或無(wú)論何種媒介我們會(huì)說(shuō)“哦,這沒發(fā)生在我的世界里,所以它就沒發(fā)生。”影片中孩子的暴力有很大的代表性,還有戀童癖之類的事情。那些人本可以走上坦途,你知道,有些惡心受驚的部分被剪掉了,但他們并不為此害怕。
影片的靈感來(lái)源于著名的混沌理論“蝴蝶效應(yīng)”。意思即一件表面上看來(lái)毫無(wú)關(guān)系、非常微小的事情,可能帶來(lái)巨大的改變。
為了準(zhǔn)備角色,阿什頓·庫(kù)徹廣泛地研究了心理學(xué)、精神病學(xué)和混沌理論。
伊萬(wàn)的日記本封面和《七宗罪》中約翰·多伊的一樣。兩部影片都是新線公司出品的。