導(dǎo)演:馬丁·斯科塞斯
編?。喝R塔·卡羅格里迪斯
丹尼斯·勒翰
主演:萊昂納多·迪卡普里奧
馬克·魯弗洛
首映日期:2010-02-19
A brilliantly constructed mystery.
一個(gè)被構(gòu)建得很出色的謎題。
——C. Robert, Cargill Film.com
The film's primary effect is on the senses. Everything is brought together into a disturbing foreshadow of dreadful secrets.
電影的主要影響是在感官上。一切都匯集在一個(gè)令人不安的可怕的秘密上。
——Roger Ebert, Chicago Sun—Times
Quality film and one of Dicaprio's best performances in a long while! Amazing plot and awesome visuals.
有質(zhì)量的電影,并且是迪卡普里奧在相當(dāng)長的一段時(shí)間內(nèi)的最佳作品之一!情節(jié)很吸引人,視覺效果令人驚嘆。
——Jonny L
In 1954, two U.S. Marshals, Edward “Teddy” Daniels(Leonardo Dicaprio)and his new partner, Chuck Aule(Mark Ruffalo), travel to the Ashecliffe Hospital for the criminally insane on Shutter Island located in Boston Harbor, as part of an investigation on the disappearance of patient Rachel Solando(Emily Mortimer), incarcerated for drowning her three children. Shortly after arrival, a storm prevents their return to the mainland for several days. Daniels finds the staff confrontational: the lead psychiatrist, Dr. John Cawley(Ben Kingsley), refuses to hand over records of the hospital staff; Solando's doctor, Dr. Sheehan, had left on vacation after her disappearance, and they are barred from searching Ward C and told that the lighthouse on the island has already been searched.
Daniels starts having migraine headaches, waking visions of his involvement in the Dachau massacre, and disturbing dreams of his wife, Dolores Chanal(Michelle Williams), who was killed in a fire set by arsonist Andrew Laeddis(Elias Koteas). In one dream, Chanal tells Daniels that Solando is still on the island, as is Laeddis. Daniels later explains to Aule that locating Laeddis was an ulterior motive for taking the case.
As Daniels and Aule continue their investigation, they find that Solando has been found by the staff with no explanation. With neither the staff nor patients helping, Daniels decides to break into Ward C, and eventually meets George Noyce(Jackie Earle Haley), another patient. Noyce warns Daniels that Ashecliffe is performing questionable experiments on its patients, and sends the incurable to the lighthouse to be lobotomized. As Daniels leaves, Noyce asserts that everyone on the island, including Aule, is playing in a game designed for Daniels.
Daniels regroups with Aule and they make their way to the lighthouse, but as they attempt to traverse the cliffs, they become separated. Daniels finds a woman hiding in a cave, claiming to be the real Rachel Solando(Patricia Clarkson). The woman asserts she was a former psychiatrist at Ashecliffe until she discovered the experiments with psychotropic medication in an attempt to develop mind control techniques. When she attempted to alert the authorities, she was committed as a patient. Leaving the woman, Daniels finds no sign of Aule, and returns to the hospital. Dr. Cawley claims that Daniels arrived alone, with no evidence of Aule ever being there.
Determined but confused, Daniels returns to the lighthouse and breaks into it. At the top, he finds Dr. Cawley waiting for him. Cawley explains that “Daniels” is really Andrew Laeddis, incarcerated after killing his wife after she drowned their children. According to Dr. Cawley, the events of the past several days have been designed to break Laeddis' conspiracy-laden insanity by allowing him to play out the role of Daniels, an anagram of his name. The hospital staff, including Dr. Sheehan posing as Aule, were part of the test, and the migraines that Laeddis suffered were withdrawal symptoms from his medication. The memory of killing his wife briefly returns to Laeddis, and he passes out.
Laeddis awakes in the hospital, under watch of Dr. Cawley and Sheehan. When questioned, Laeddis can provide the details of how he killed his wife, which satisfies the doctors as a sign of progression; Dr. Cawley notes that they had achieved this state nine months before but Laeddis had quickly regressed. The doctor further warns that this will be Laeddis' last chance. Some time later, Laeddis relaxes on the hospital grounds with Dr. Sheehan, and begins calling him “Chuck” and saying they need to expose the conspiracy of Ashecliffe to the world. Recognizing this as a sign of regression, Dr. Cawley orders Laeddis to the lighthouse to be lobotomized; as he is taken away, Laeddis asks Dr. Sheehan, “Which would be worse? To live as a monster, or die as a good man?”, and then calmly leaves with the orderlies.
故事發(fā)生在1954年,兩名美國警官,“泰迪”愛德華·丹尼爾斯(萊昂納多·迪卡普里奧飾)和他的新搭檔恰克·奧力(馬克·魯弗洛飾),來到波士頓港禁閉島上的一座精神病犯人醫(yī)院——阿西克里夫醫(yī)院,調(diào)查一起精神病人瑞秋·索蘭度(艾米莉·莫迪默飾)的離奇失蹤案。索蘭度進(jìn)院是因?yàn)橛H手溺死了自己的三個(gè)孩子。在兩名警官到達(dá)后不久,暴風(fēng)雨來襲,切斷了回去的路,他們被困在禁閉島數(shù)天。丹尼爾斯發(fā)現(xiàn)這個(gè)醫(yī)院的工作人員很不配合調(diào)查工作,首席精神病專家約翰·考利(本·金斯利飾)醫(yī)生拒絕出示這家醫(yī)院的工作人員名單,索蘭度的主治醫(yī)生希恩醫(yī)生竟在她失蹤后外出度假了,醫(yī)院還禁止他們進(jìn)入C區(qū)病房,并稱院方已經(jīng)在孤島上的燈塔那兒搜尋過索蘭度了。
這時(shí)丹尼爾斯的偏頭疼開始發(fā)作,產(chǎn)生了置身于達(dá)豪集中營的幻覺,又夢(mèng)到他在一場(chǎng)大火中死去的妻子德洛莉斯·香奈兒(米歇爾·威廉姆斯飾),那場(chǎng)火災(zāi)的縱火犯叫安德魯·雷迪斯(伊利亞斯·科泰斯飾),夢(mèng)中香奈兒告訴他索蘭度和雷迪斯都還在這座島上。清醒后丹尼爾斯告訴拍檔奧力,他接手這起案子的另一目的是尋找雷迪斯。
丹尼爾斯和奧力繼續(xù)調(diào)查此案,他們發(fā)現(xiàn)索蘭度已經(jīng)被工作人員找到,沒有其他任何解釋。在既沒有工作人員也沒有病人幫助的情況下,丹尼爾斯決定只身前往C區(qū)病房一探究竟,在那里,他遇到病人喬治·諾斯(杰基·厄爾·哈利飾),諾斯警告他阿西克里夫精神病院正在對(duì)病人進(jìn)行具有爭(zhēng)議的手術(shù)實(shí)驗(yàn),他們會(huì)在燈塔為無法醫(yī)治的病人施行腦葉切開術(shù)。丹尼爾斯正要離開,諾斯又說島上包括奧力在內(nèi)的所有人都是一伙的,給丹尼爾斯設(shè)計(jì)了一個(gè)騙局。
隨后丹尼爾斯與奧力會(huì)合,一起前往燈塔,但在他們要翻越懸崖的時(shí)候,兩人分開了。丹尼爾斯在懸崖下的山洞發(fā)現(xiàn)了一個(gè)女人,此人自稱是真的瑞秋·索蘭度(派翠西婭·克拉克森飾),她說自己原是這家醫(yī)院的精神病醫(yī)生,直到有一次發(fā)現(xiàn)了這里正在進(jìn)行操縱人腦意識(shí)的手術(shù)實(shí)驗(yàn),她試圖要警告當(dāng)局,院方遂將她以病人的身份關(guān)了起來。離開了這個(gè)女人,丹尼爾斯怎么也找不到奧力,當(dāng)他回到醫(yī)院時(shí),考利醫(yī)生卻堅(jiān)持說他是自己來的,他所說的拍檔奧力根本沒有來過。
丹尼爾斯帶著困惑,決定調(diào)查到底,他返回?zé)羲㈥J了進(jìn)去。在燈塔的最頂層,考利醫(yī)生正在等他。考利醫(yī)生向他解釋了所有疑惑,“丹尼爾斯”本人便是縱火犯安德魯·雷迪斯,其妻溺死了他們的孩子后,他便縱火殺死了他的妻子,被關(guān)進(jìn)這里。這幾天發(fā)生的一切都是為具有陰謀幻想癥的雷迪斯安排的,讓雷迪斯扮演丹尼爾斯這一角色,實(shí)際上“丹尼爾斯”這個(gè)名字是通過他自己名字的回文構(gòu)詞法拼寫出來的。醫(yī)院員工都是這個(gè)測(cè)試的一部分,其中希恩醫(yī)生扮演奧力一角,雷迪斯每次偏頭疼的發(fā)作是因?yàn)樗恢狈玫乃幍乃幮г跍p退,他殺死自己妻子的回憶便會(huì)出現(xiàn),這時(shí)雷迪斯又昏迷了。
雷迪斯再一次醒來,他躺在醫(yī)院里,由考利醫(yī)生和希恩醫(yī)生看護(hù)。當(dāng)被問及時(shí),雷迪斯能清楚地回憶起他殺死妻子的細(xì)節(jié),這證明他的精神病癥狀有所好轉(zhuǎn),也讓醫(yī)生們感到欣慰??祭t(yī)生說他九個(gè)月前也曾清醒過,但病情很快惡化,這次是他們?yōu)槔椎纤怪委煹淖詈笠淮螜C(jī)會(huì)。數(shù)日后的一天,雷迪斯和希恩醫(yī)生坐在醫(yī)院的院子里,他突然叫希恩醫(yī)生“恰克”,還說一定要向世人揭發(fā)這家醫(yī)院的陰謀??祭t(yī)生知道雷迪斯的病情又惡化了,無奈只有帶他去燈塔進(jìn)行腦葉切手術(shù)抹去記憶。在他被帶走的那刻,他問希恩醫(yī)生:“像怪物一樣生存,抑或做個(gè)好人死去,哪一種狀態(tài)更差呢?”顯然在他被帶走的那一刻,他是清醒的。
insane[in'sein]adj. 瘋狂的;精神病的;極愚蠢的
confrontational[?k?nfr?n'tei??nl]adj. 對(duì)抗的;對(duì)抗性的
ulterior[?l'ti?ri?]adj. 將來的;較遠(yuǎn)的;在那邊的;隱秘不明的
explanation[ekspl?'nei??n]n. 說明;解釋;辯解
incurable[in'kju?r?bl]n. 患不治之癥者;不能治愈的人
traverse['træv?s]vt. 穿過;反對(duì);詳細(xì)研究;在……來回移動(dòng)
symptom['simpt?m]n. 癥狀;征兆
progression[pr?u'gre??n]n. 前進(jìn);連續(xù)
orderly['?:d?li]n. 勤務(wù)兵;傳令兵;護(hù)理員
重點(diǎn)掌握
■ … refuses to hand over records of the hospital staff...
hand over是英語中的一個(gè)固定搭配,在文中是“交出;交給”的意思,比如:When you vacate the room, you should hand over the door key to me. 你搬出房間時(shí),要把房間鑰匙交給我。另外,hand over還有“移交;讓與”的意思,比如:I shall be glad to hand this job over. 我會(huì)很高興地移交這項(xiàng)工作。
Leonardo Dicaprio Interviewed by Mali Elfman
You put yourself through hell in this film, it took you obviously into some very dark places, what drives you to work on such dark and dramatic roles?
Self-imposed suffering(laughs). It was the nature of the material. At first glance, when I first read the book and the script, it was obviously a very complex jigsaw puzzle, and the line in which reality starts and dreams begin in Teddy's past is blurred. But throughout the movie, you start to learn about different facets of Teddy Daniels's mind on Shutter Island and it's a truth about his past, dramatic truth. It's a very ultra complex character study. In order to tell the story, we had to push the emotional story-lines, to have one set of circumstances what we believed and what we needed to push to the emotional extremes. I think that both of us(Martin Scorsese and I)kept Teddy going into dark and dark places in the film and I think it was surprising for the both of us, because only reading a screenplay there is only so much you can do. When you need to extract what is written on the page to being there and having to do these sequences in this movie and it really shocked us I think.
As it has been said it is a very demanding role you've tackled, and you're also tackling Virginia Woolf at the moment. How do you keep your sanity while doing all of these intense characters?
Well, by sheer necessity to survive the film- making process you have to switch off when you go home. I do say that with all sincerity because it was a very demanding role. Look, ultimately I am challenged by these types of characters that challenge me and this is maybe the most challenging one to date. Physically yes, emotionally more so. But it gives me great excitement, you know, this character, as Martin mentioned earlier, it is very difficult for one to talk about as with the narrative in detail, for people to have that virgin experience.
So we are very conscience, Martin, Sir Ben and myself, on a film that has a different interpretation, with different meanings and a certain ambiguity at the ending of this film and throughout the entire movie that could give the audience a different experience on further viewings. So that also challenges me as an actor in the way I portray Teddy, there will often times were we will, “how do I say this, pushing him into different extremes.” So yes, it was the most challenging [film I've done]and I relished those experiences.
在這部電影里,你把自己置于地獄,這明顯把你帶入了一些晦暗的地方,是什么驅(qū)使你接拍這種如此深沉和戲劇性的角色?
自我強(qiáng)加的痛苦(笑)。是素材的性質(zhì)決定的。最開始,當(dāng)我第一次讀這本書和劇本時(shí),它顯然是一個(gè)非常復(fù)雜的拼圖,影片展開的路線是以現(xiàn)實(shí)開始,泰迪過去的夢(mèng)想則以模糊的圖像開始。但通過整部電影,你開始了解泰迪·丹尼爾斯在禁閉島上的思想的不同層面。他的過去是事實(shí),戲劇性的事實(shí)。這是一個(gè)非常復(fù)雜的人物的探索。為了講述這個(gè)故事,我們不得不推動(dòng)情感故事路線,在一系列我們所相信、所需要的情況下,推到情緒的極端。我認(rèn)為在電影中我們倆(馬丁·斯科塞斯和我)讓泰迪步入了黑暗和黑暗之地,我覺得這讓我們倆都感到驚訝,因?yàn)橹蛔x劇本,你能做的只有那么多。我認(rèn)為當(dāng)你需要把文字里提取的東西植入電影,在這部電影里必須融入這些時(shí),這些真的能讓我們震驚。
據(jù)說這是你遇到的一個(gè)很苛刻的角色,當(dāng)時(shí)你也在著手拍攝《弗吉尼亞·伍爾夫》。你是怎樣保持理智,同時(shí)接拍這些激烈的角色的?
能經(jīng)受住電影的制作過程,是絕對(duì)必要的。當(dāng)你回到家時(shí),你必須忘懷。因?yàn)檫@是個(gè)非常苛刻的角色,我這樣說完全充滿了誠意。你看,我已經(jīng)挑戰(zhàn)了一些具有挑戰(zhàn)性的角色,但這也許是最具挑戰(zhàn)性的。身體上是,感情上更是如此。但今天,你知道,這個(gè)角色讓我很激動(dòng),正如馬丁之前提到過的,對(duì)于首次體驗(yàn)的人們來說,想要談?wù)摷?xì)節(jié)很難。
所以,馬丁、本和我自己,對(duì)這部有不同的解釋,結(jié)尾有不同的含義,并且有些模棱兩可的電影,我們都問心無愧。進(jìn)一步欣賞,整個(gè)影片,能給觀眾提供不同的體驗(yàn)。所以,作為演員,在演繹泰迪的過程中,也挑戰(zhàn)了我自己,很多時(shí)候我們會(huì)說,“我怎么說這些臺(tái)詞,把他推向不同的極端。”是的,[在我拍的電影中]這是最具挑戰(zhàn)的,我享受這些體驗(yàn)。
本片是馬丁·斯科塞斯與萊昂納多·迪卡普里奧合作的第四部電影,《禁閉島》也維持著自2002年開始,馬丁·斯科塞斯所拍攝的故事必定由萊昂納多·迪卡普里奧主演的記錄。
派拉蒙當(dāng)初籌拍本片時(shí)的導(dǎo)演是大衛(wèi)·芬奇,主演則是布拉德·皮特,不過后來兩人開始拍攝《本杰明·巴頓奇事》,本片的拍攝計(jì)劃也隨之順移,最終大衛(wèi)·芬奇與布拉德·皮特退出了拍攝計(jì)劃。
在《禁閉島》里,萊昂納多·迪卡普里奧所飾演的角色非常地暈船,具有諷刺意味的是,萊昂納多·迪卡普里奧所主演的《泰坦尼克號(hào)》中,絕大多數(shù)的場(chǎng)景都是在船上。
因?yàn)橹T多原因,本片的公映日期從2009年的10月推遲到2010年的2月,這是因?yàn)榕衫上敕滦А冻聊母嵫颉纺菢?,?月公映,最終拿下了次年的奧斯卡。